The designer could then use Adobe Photoshop and Adobe Illustrator to iterate on colors and branding. Working in this way, a designer could download 3D models from Adobe Stock, create digital materials for them in Substance Painter, import label designs created in Adobe Illustrator, then bring all those ingredients together in Dimension, creating scenes and rendering high quality 3D visualizations. ![]() In this article, we’ll explore this product design workflow, using Dimension alongside other new 3D tools in Adobe Creative Cloud to create designs for ‘Citrus Time,’ a fictional brand of fruit juice. Using Adobe’s 3D compositing software, designers can take products all the way from concept to delivery, prototyping designs, creating photorealistic marketing materials, and even authoring interactive brand experiences. Luckily, there have now been incredible innovations in improving this workflow, notably Adobe Dimension, which helps you work quicker and more efficiently. They had to deal with complex workflows and expensive software, and this was often an impediment to actually being creative. You can then save the file in Photoshop EPS format.This article is brought to you by our friends at Adobe Dimension Adobe Creative Cloud tools like 3D compositing software Adobe Dimension enable graphic designers to manage the entire product design pipeline, from prototyping to marketing.ĭesigning products used to take a big team of highly specialized professionals and a lot of time. Right click again and select 'Create Vector Mask'. Right click over the selection and select 'Make Work Path' then hit A to change to the direct selection tool. To do that, make a selection and copy it to a new layer or remove the background. First you need to separate your logo from the background. That's probably the case if you make a logo in Photoshop. ![]() Photoshop is a raster-based rather than vector-based design program, but it can vectorise images for export, which is ideal if you're going to want to resize them. It's a good idea to save it as a psd file so that you can return to it and make changes in the future. When you're happy, save the image out in whatever format you require, for example RGB jpg for web format. We also added a background, shadow and reflection, using similar techniques to the other steps, as well as using layer masks to add fade. For the main image at the top of this page, we've added two smaller bars above and below the text, coloured with the same gradient. Add colour with a gradientįinally to finish making your logo in Photoshop, make any final adjustments you need to give it that special something. ![]() Move this point down a few grid squares, holding the Shift key to keep it locked on the y-axis. Use the Direct Selection tool, shortcut A, to click on the top-most point of the arrowhead, located at the centre of the canvas. Duplicate and edit the shapeĭuplicate the layer, by pressing cmd + J (ctrl + J) and click on the new layer to select it. Naming the layers isn't necessary for this project, but it can be very helpful in more complicated documents, where there are many layers. Use the pen to draw an arrowhead shape, starting at the centre-point of the canvas and using grid-line intersections for your other points (if you're not familiar with the pen tool, note that to draw a straight line, you simply click and release where you want the points to be – don't hold down an try to draw a line as if it were a brush). ![]() Select the Pen tool in the toolbar, or by pressing P, and make sure it’s set to Shape rather than Path in the box at the left of the Options bar.
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